67,431 Free Images of Softground Etching

etchings in the yale center for british artyale center for british arthand-coloredisaac cruikshankjames gillrayrichard newtonpaperlaid paperjohn wykeham archerjohn cawse
John Bull at His Studies. Attended by His Guardian Angell, James Gillray, 1799
etchings in the yale center for british artjames gillray
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes., James Gillray, 1791
etchings in the yale center for british artjames gillray
John Bull Ask'd at Saint Stephens, John Cawse, 1800
etchings in the yale center for british artjohn cawse
Swearing to the Cutting Monster or - A Scene in Bow Street, James Gillray, 1790
etchings in the yale center for british artjames gillray
Suffolk Rats protecting their Cheese, or the County Fencibles called to Arms, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Billy's Fantoccini or John Bull over Curious, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris, James Gillray, 1796
etchings in the yale center for british artjames gillray
A Political Wil'O The Wisp, Richard Newton, 1795
etchings in the yale center for british artrichard newton
The Near in Blood, the Nearer Bloody, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
St. Nil, Francesco Bartolozzi, 1762
etchings in the yale center for british artfrancesco bartolozzi
Aan den arbeid, Ferdinand Oldewelt, between 1872 and 1935
etchings and drypoint prints in the rijksmuseum amsterdamferdinand oldewelt
The Thieves detected at Last, or - a Wonderful Discovery at Windsor Farm, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2), James Gillray, 1782
etchings in the yale center for british artjames gillray
Extirpation of the Plagues of Egypt, James Gillray, 1798
etchings in the yale center for british artjames gillray
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite, James Gillray, 1798
etchings in the yale center for british artjames gillray
John Bull Ground Down, James Gillray, 1795
etchings in the yale center for british artjames gillray
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office, James Gillray, 1792
etchings in the yale center for british artjames gillray
A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Harlech Castle, North Wales, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes, James Gillray, 1782
etchings in the yale center for british artjames gillray
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes, James Gillray, 1795
etchings in the yale center for british artjames gillray
Pluck'd Pigeons, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Choquer, George Arnald, 1821
etchings in the yale center for british artrealism
The Draper's Alms Houses, Crutched Friars, John Wykeham Archer, 1851
etchings in the yale center for british artjohn wykeham archer
A Lack Water Canal, Isaac Cruikshank
etchings in the yale center for british artisaac cruikshank
The Soliloquy, James Gillray, 1782
etchings in the yale center for british artjames gillray
Lieu(tenan)t Gove(rne)r Gallston's Monkey Breaking of Sir Sydney's Ape, Isaac Cruikshank
etchings in the yale center for british artisaac cruikshank
Modern Marriage A La Mode Sweet Fruits of the Third Honey Moon!!, Isaac Cruikshank, circa 1796
etchings in the yale center for british artisaac cruikshank
A Proclamation in Lilliput, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Over Weight - or the Sinking Fund - or the Downfall of Faro, Richard Newton, 1797
etchings in the yale center for british artrichard newton
Fatal Effect of the French Defeat - Hanging (and) Drowning, James Gillray, 1795
etchings in the yale center for british artjames gillray
The Freemen Triumphant or the Mare Foald or Here Folly, Isaac Cruikshank, possibly 1789
etchings in the yale center for british artisaac cruikshank
The Frogs Rejecting their King, John Cawse, 1799
etchings in the yale center for british artjohn cawse
The Lover's Dream, James Gillray, 1795
etchings in the yale center for british artjames gillray
French Democrats Surprizing the Royal-Runaways, James Gillray, 1791
etchings in the yale center for british artjames gillray
A Scene in the Gamester, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Humbug or an Attempt at Tragedy with the Jordan (struck through and replaced by) Joram Upsett, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
A Disunion or the Family Compact Disturbed, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
General Swarrow Towing the French Directory into Russia, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
A Flight Across the Herring Pool, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
The Enraged Politician or the Sunday Reformer or a Noble Bellman Crying Stinking Fish, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Blindmans-Buff - or - Too Many for John Bull, James Gillray, 1795
etchings in the yale center for british artjames gillray
Reflections on the French Revolution, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Sir Thomas Fairfax, William Faithorne, circa 1646
etchings in the yale center for british artwilliam faithorne
A Royal Salute, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Door of an Old Mansion, in Gravel Lane, Houndsditch, John Wykeham Archer, 1851
etchings in the yale center for british artjohn wykeham archer
French Liberty - British Slavery, James Gillray, 1792
etchings in the yale center for british artjames gillray
A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester, Michael Vandergucht, between 1675 and 1725
etchings in the yale center for british artmichael vandergucht
The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Landscape, Edward Edwards, 1868
etchings in the yale center for british artedward edwards
Wha Wants Me?, James Gillray, 1792
etchings in the yale center for british artjames gillray
Left Bank, Meuse, George Arnald, between 1818 and 1828
etchings in the yale center for british artrealism
St. George & The Dragon & Mad[emoise]lle Rippooting, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Gradual Abolition off (sic) the Slave Trade, or Leaving of Sugar by Degrees, Isaac Cruikshank
etchings in the yale center for british artisaac cruikshank
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?, James Gillray, 1789
etchings in the yale center for british artjames gillray
Homer Singing His Verses to the Greeks, James Gillray, 1797
etchings in the yale center for british artjames gillray
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing, James Gillray, 1797
etchings in the yale center for british artjames gillray
Hibernian Sagacity and Sang Froid, Richard Newton, 1795
etchings in the yale center for british artrichard newton
Mr. Winkle's Situation When the Door Blew To, Hablot Knight Browne, 1837
etchings in the yale center for british arthablot knight browne
A Democrat, - or - Reason and Philosophy, James Gillray, 1793
etchings in the yale center for british artjames gillray
The Royal Academy, James Gillray, 1786
etchings in the yale center for british artjames gillray
British Servants, with Honesty and Fidelity - Against French Servants, with Perfidy and Impudence! (Four vignettes), Richard Newton, 1795
etchings in the yale center for british artrichard newton
A Spy!!! or the Blessings of a Convention Bill, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Le Roi Esclave on Les Sujets Rois Female Patriotism, Isaac Cruikshank, 1789
etchings in the yale center for british artisaac cruikshank
The Russian Bruiser Getting his Dose - With his Seconds Thirds bottle Holder and (?) coming in for their Share, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
A Right Honorable (sic) Alias a sans Culotte, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
A Visit to the Irish Pig!... With Reflections Physical & Moral, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
The Budget or John Bull Frightened Out of His (Money) Wits, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Paille d'Avoine - Paille d'Avoine, James Gillray, 1786
etchings in the yale center for british artjames gillray
The Leadenhall Volunteer, Drest in his Shawl, James Gillray, 1797
etchings in the yale center for british artjames gillray
Chimney Piece in the Baptist's Head, Clerkenwell, John Wykeham Archer, 1851
etchings in the yale center for british artjohn wykeham archer
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon, James Gillray, 1796
etchings in the yale center for british artjames gillray
The Royal Soldier in His Majesty's Service, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy, James Gillray, 1796
etchings in the yale center for british artjames gillray
Patern-Staff - Weymouth, James Gillray, 1797
etchings in the yale center for british artjames gillray
Eminentissimus Armandus Ioannes Du Plessis Cardinalis Richeleus, William Faithorne, between 1660 and 1690
etchings in the yale center for british artwilliam faithorne
John Bulls hint for a Profitable Alliance, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
One of the Family!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
An Irish Union, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
The Origin of Cockney, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The Westminster Mountebank, or Palace Yard Pranks, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Dumourier Dining in State at St. James on the 15th of May 1793, James Gillray
etchings in the yale center for british artjames gillray
Flannel Coats of Mail against the Cold or the British Ladies Patriotic Presents to the Army, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
John Bull in a Rage, forcing nic Frog to Fight against his Will, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Scotch Eloquence to a Chilly Congregation, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam, James Gillray, 1791
etchings in the yale center for british artjames gillray
The - Battle Royal, or Who Wears the Breeches, James Gillray, 1784
etchings in the yale center for british artjames gillray
The Prodigal Son, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Slough of Despond----; Vide - The Patriots Progress, James Gillray, 1793
etchings in the yale center for british artjames gillray
Polonius, The Tallest, Fittest, Properest, Man to Walk before the King!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar, James Gillray, 1797
etchings in the yale center for british artjames gillray
The Legacy, James Gillray, 1786
etchings in the yale center for british artjames gillray
Enjoying an Old Friend, Richard Newton, 1795
etchings in the yale center for british artrichard newton
Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
How to Gammon the Deep, Ones or the Way to Overturn a Coach Ac(c)ording to Act of P(ar)l(ia)m(en)t (from: Caricature, vol. 4), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Oysters. Oysters. I Us'd for to Cry, When the Wind Blew so Hard that my Boat could not Ply, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Gilpin Whigs Return to Rochester without their Candidate, Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
Political Boxing; or an Attack, at the Woolsack, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Dainty Nice Sprats, Ho!, Richard Newton, 1792
etchings in the yale center for british artrichard newton
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